<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digital.library.utahtech.edu/items/show/528">
    <dcterms:title><![CDATA[Southern Quill 1957]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poetry--Collections">Poetry--Collections</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=+Prose"> Prose</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=+Art"> Art</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=+Ceramics"> Ceramics</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=+Sculpture"> Sculpture</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=+Photography"> Photography</a>]]></dcterms:subject>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=+Drawing"> Drawing</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[The Southern Quill is an annual publication of poetry, short fiction, and artwork of Dixie State University students and community members.]]></dcterms:description>
    <dcterms:tableOfContents><![CDATA[<table><tr><th>SHORT STORY</th>			 <th></th>				<th>Page</th></tr><tr><td>WAITING,</td> <td>			 Clark Church</td> <td> 		3</td></tr><tr><td>ONE ROAD, </td> <td> 		DeAnna Hawkins</td> <td> 		5</td></tr><tr><td>GIRL SHY, </td> <td> 			Gary Snow</td> <td> 		6</td></tr><tr><td>STRENGTH, </td> <td> 		Margery Jennings</td> <td> 		10</td></tr><tr><td>IT HAPPENED THIS WAY, </td> <td> 	Theresa Houston</td> <td> 		10</td></tr><tr><td>YOU NEVER KNOW, </td> <td>		 George McConkie</td> <td> 		14</td></tr><tr><td>SNOWFLAKE, </td> <td> 		Rosemary Thomas </td> <td>		17</td></tr><tr><td>REPRISAL,	 </td> <td>		 JoAnn Lee</td> <td> 		18</td></tr><tr><td>HAROLD!, </td> <td> 			Joy Lamoreaux</td> <td> 		21</td></tr><tr><td>OLD IRONSIDES, </td> <td>		 Lynne Harrison</td> <td> 		22</td></tr><tr><td>SEAGULL, </td> <td> 			Alice Bundy</td> <td> 		23</td></tr><tr><td>BETRAYED, </td> <td>		 Irene Ott</td> <td> 			24</td></tr><tr><td>PANIC AT PINE CREEK, </td> <td> 	Kent Hardy</td> <td> 		23</td></tr><tr><th>POETRY</th></tr><tr><td>A SMEAR OF PAINT, </td> <td> 		Lynn O. Freeman</td> <td> 		7</td></tr><tr><td>A PARTYS IMPRESION, </td> <td> 	Loretta Fr</td> <td> 		8</td></tr><tr><td>LADY LOVE, </td> <td>		 Sally Smith</td> <td>	 	19</td></tr><tr><td>CARNIVAL, </td> <td> 		Susan Christensen</td> <td> 		20</td></tr><tr><td>TWILIGHT, </td> <td> 		Mary Coombs</td> <td> 		20</td></tr><tr><td>AN EMPTY CANVAS, </td> <td>		 Lynn O. Freeman</td> <td> 		25</td></tr><tr><th>PROSE</th>
</tr><tr><td>THE COLD,  </td> <td> 		Geniel McConkie</td> <td> 		1</td></tr><tr><td>RANDOM HARVEST, </td> <td> 		George McConkie</td> <td> 		4</td></tr><tr><td>STREETCAR NAMED DESIRE, </td> <td> 	Marilee Beard</td> <td>	 	9</td></tr><tr><td>SIX OR SIXTEEN, </td> <td>		 Don Andrus</td> <td> 		16</td></tr><tr><th>COVER</th></tr><tr><td>Lynn O. Freeman</td> </tr><tr><th>ART</th></tr><tr><td>REFLECTION, </td> <td> 		Gordon Freeman</td> <td> 		11</td></tr><tr><td>LIFE, </td> <td>			 Lynn O. Freeman</td> <td> 		12</td></tr><tr><td>OLD RUIN, </td> <td> 			Gordon Freeman</td> <td> 		12 </td></tr><tr><td>EDUCATION, </td> <td> 		DeAnna Hawkins</td> <td> 		12</td></tr><tr><td>CONCATENATION,  </td> <td>		 DeAnna Hawkins</td> <td>	 	13</td></tr><tr><td>BROWN STUDY,  </td> <td>		Marilee Beard</td> <td> 		13</td></tr><tr><td>AMEBIC LINES, </td> <td> 		Lynn O. Freeman</td> <td> 		13</td></tr><tr><td>SOLITUDE,	 </td> <td>		 Marilee Beard</td> <td> 		13</td></tr><tr><th>DESCRIPTIONS</th></tr><tr><td>INSTINCT, </td> <td> 			Robert Murry</td> <td> 		16</td></tr><tr><td>A FACE,  </td> <td>			 Naomi Meservy</td> <td> 		19</td></tr><tr><td>THE CHASM, </td> <td> 		Loretta Frei</td> <td>i 		21</td></tr></table>]]></dcterms:tableOfContents>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dixie+College">Dixie College</a>]]></dcterms:creator>
    <dcterms:source><![CDATA[UA016 Southern Quill]]></dcterms:source>
    <dcterms:publisher><![CDATA[Digitized by Utah Tech University Library]]></dcterms:publisher>
    <dcterms:date><![CDATA[1957]]></dcterms:date>
    <dcterms:rights><![CDATA[<a href="http://rightsstatements.org/vocab/NoC-US/1.0/"_blank" rel="noopener noreferrer">No Copyright - United States.</a>]]></dcterms:rights>
    <dcterms:isFormatOf><![CDATA[Scanned with a ESPON 10000XL as a 400 dpi TIF]]></dcterms:isFormatOf>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=43&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=UA016_1957.pdf">UA016_1957.pdf</a>]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Public domain in the United States. Please credit Special Collections &amp; Archives, Utah Tech University.]]></dcterms:rightsHolder>
</rdf:Description></rdf:RDF>
